Album Review: The 69 Cats - "Seven Year Itch"

 

Started up as a side project a decade or so ago by frontman Jyrki from Finnish goth/glam legends the 69 Eyes and guitarist Danny B Harvey (Lemmy's six stringer in his Headcat side project), the 69 Cats have been joined by Damned drummer Rat Scabies for this, their second album. A hell of a pedigree then, but can this album live up to it?

Pleased to report that the answer is yes - opener She's Hot kicks in with a winsome mix of Jyrki's Glenn Danzig-meets-Pete-Steele croon, Harvey's frenetic shredding guitar and Scabies' pounding drums and when it's followed by a superbly sinister cover of Post Malone's Hollywood's Bleeding, you know we're in safe hands here. You're The Kind Of Girl starts off as a mid-paced rocker before unexpectedly breaking into a full on psychobilly breakdown for the middle eight. Decent enough but it feels like a bit of a step down after that opening one-two. However, the spaghetti westernisms of Good Time To Die take the pace down a notch to good effect and get this one back on track.

Graveyard Blues, contrary to its title, has more of a New York Groove style glam strut to it before Hey World goes into more traditional rockabilly territory with Harvey taking over the vocals and the frenetic Psycho goes into full on Cramps style urgency before the sleazy Vampire Shuffle sees Jyrki breaking out his best Elvisisms to good effect. Teddy Boy Boogie packs the requisite amount of bug-eyed menace to its rockabilly grooves before they rework and retitle Hell Of The Mountain King (also covered by the Offspring earlier this year) into a groovy slice of goth-surf boogie leaving just the lurching I'm Evil and the frenetic It Ain't Enough to round this one off nicely.

I've seen a couple of reviews of this album slating it for being too derivative but I respectfully disagree - for me, this is a great shot of jet black adrenaline which wears its influences proudly on its sleeve but mixes them together to create a heady brew which'll appeal to greasers and goths alike. Slick back yer hair, dig out your mirrored shades, grab yerself a Bloody Mary and enjoy it for the fun that it is.

Bandcamp Link

NITE SONGS RATING: 🌔🌔🌔🌔🌔🌔🌔🌔🌑🌑 (8/10)

Comments

Post a Comment

Popular posts from this blog

Garbage Days Revisited #67: Jason & The Scorchers - "Still Standing" (1986)

Image
  "And though you are so far away, ten thousand miles of sorrow/This prison cannot, will not kill our blessed free tomorrow"  - Jason & The Scorchers  - Good Things Come To Those Who Wait Like a lot of Britrockers my age, it's probably Ginger Wildheart 's fault that I became a Jason & The Scorchers fan. They're a band who the G-man has never made any secret of his admiration for and the Wildhearts even covered the Scorchers classic White Lies  as a B-side to Anthem  many years ago. Most people who've heard them will happily tell you that the group's 1983 EP Fervor  and their 1985 debut full length*  Lost & Found  are classics of the cowpunk genre, the perfect missing link between Johnny Cash and the Ramones and you can add me to that list as well. The follow-up, 1986's Still Standing though? Now that one seems to be a bit more divisive. And that's why it's the one we're covering here on Garbage Days Revisited... (* - well, sort
Read more

Album Review: Steve Vincent - "Recovered From My Past"

Image
  Best known as the frontman of Brit sleaze perennials Paradise Alley, this is the first solo album from Steve Vincent. I have to be honest, Steve's day job band are one of those who I've heard of but don't recall hearing anything by but the general signs here appeared to be promising with a guest list including the Wildhearts' Danny McCormack, ex-Dolls and current Mike Monroe guitarist Steve Conte and McCormack's old Main Grains bandmate (along with several others) Ben Marsden. The first thing to be aware of here though is that if you're expecting a Soho sleaze by numbers affair then you might just be in for a bit of a surprise. If anything, Recovered From My Past  sails closer to the shores of power pop or the vintage strain of '80s Brit-glam (the Babysitters, Soho Roses, Torme, Marionette etc) with a healthy dash of early Hanoi Rocks in there as well. Certainly the harmonica honking likes of Yesterday's Man , Last Train To Babylon  and Can't Bring
Read more

Album Review: The Wannabes - "Monster Beach"

Image
The Wannabes are the musical brainchild of Nottingham resident Wayne Zenith and from looking at the guy's  Bandcamp page , I think it's fair to say he's a somewhat prolific feller with over 50 releases under various incarnations on there. Musically, as the title and artwork probably suggest, it's pretty straightforward Ramones style three-chord headbanger territory (including a competent cover of Rockaway Beach ) with a touch of the Cramps' gleefully sicko gorehound tendencies as songs with titles such as I Was There At The Texas Chainsaw Massacre and Stuff Cindy In The Incinerator  suggest. There's a few little tricks in there to ensure this doesn't fall into one trick pony territory though with the keyboards over the top actually adding a bit of a '60s Nuggets  style feel to some of the songs especially opener Somehow  which even has an extended piano-led break in the middle - brave move but it works. The more moody mid-paced Drag You Down  (whic
Read more