Album Review: The Struts - "Strange Days"
Without wanting to sound too over-dramatic, this really is put up or shut up time for everyone's favourite Darkness soundalikes from LA via Derby. Now on their third album, their debut, 2014's Everybody Wants was the sound of a band where there was plenty of promise who could kick loose to good effect live but seemed a little bit hemmed in by an over-reliance on studio trickery. The route forward should have been obvious but for reasons best known to themselves (or perhaps their record label), they instead slammed firmly into reverse gear for 2018's Young And Dangerous , an album so over-produced that it saw the band's sound horribly blunted and, a couple of moments where the tunes packed the muscle to punch through the over-zealous studio sheen aside, sunk in a morass of gloopy synths and ham-fisted superfluous orchestral effects. So, have they turned it around at this belated juncture or is this a case of the group drifting beyond the point of no return? The prosp...